

Robert Flaherty LOOK AGAIN:The John Howard Benson Film explores the film project between two important artists of the 20th century: filmmaker Robert Flaherty, and artist, calligrapher, and stonecutter, John Howard Benson. The original film was recorded in 1944 and then lost for decades. Filmmaker Rebecca Miller brings together the story with interviews recorded in 1978 and 2025, original correspondence, rare photographs, and the never-before-seen Flaherty footage. The new documentary seeks answers to questions about artists and responsibilities, talent and friendship, conflict and forgiveness. It’s an original story told with a surprising high-impact approach to archival filmmaking. Filmmaker Rebecca Miller has been passionate about the project for 50 years, since she was a student in the film department of the Rhode Island School of Design. Finally, she tells the story of the lost film by Robert Flaherty that will alter the history of the first great documentary filmmaker.
The 33 minute film, available in the summer of 2025, was created by filmmaker Rebecca Miller, from production company Optik Nerve, Inc., of Jamestown, RI.
Our new documentary examines the approaches of the two artists, Flaherty and Benson, to their work: the scripted, the ungoverned, the planned, and the spontaneous. It becomes clear the two artists had their own vision for the project, and we examine how these ideas diverged. The documentary, ROBERT FLAHERTY LOOK AGAIN, includes interviews conducted in 1978 with principals—Richard Leacock, Mrs. John Howard Benson and others, as well as interviews conducted in 2025, correspondence gathered between the principals, a wealth of rare photography, and the original film material recorded in 1944 by Flaherty.
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Producer, Director, Designer, Editor, Writer
From the first discovery of the Flaherty film materials in 1976 until today, Rebecca Miller has lived with this project for almost 50 years. She took on the challenge to make ROBERT FLAHERTY LOOK AGAIN to breath new life and new vision into the Flaherty-Benson story. No one knew more about the history of this orphan Flaherty project, no one would be a better filmmaker to tell this story, no one else had the passion.
The visual material she gathered was significant: Flaherty footage, Flaherty footage with exposed sprocket holes, interviews recorded in 1978, the Benson family archive of photographs, over 800 pages of correspondence between the principals, interviews conducted in 2025, still photographs of Robert Flaherty from archives and museums, and newspaper clippings.